The Glorious Sons' second full-length album, Young Beauties & Fools, is all about honesty. More specifically, it's about exploring the adventures (and frequent misadventures) of main songwriter Brett Emmons in the truest way. It's also an album where The Glorious Sons — rounded out by Brett's older brother Jay Emmons (guitar), Chris Koster (guitar), Adam Paquette (drums) and Chris Huot (bass) — capture all the listlessness and confusion of young adulthood in 10 doses of modern rock.
Glorious Sons' hardscrabble tales come naturally. A high-spirited rock band with blue collar roots, they truly found themselves when Brett quit school in 2013 to join them as lead singer. Subsequent years of hard touring and hard partying — sometimes in places so sketchy, as Brett puts it, "There was no electricity in the building" — provided fuel for the songs on Young Beauties & Fools.
Whether it's the rock 'n' roll bender "My Poor Heart," the not-so-classic boy- meets-girl story of "Josie," or the deeply embarrassing punch-up at a wedding tale "Everything Is Alright," Brett's songwriting deftly explores the imperfect humanity of both himself and the many characters he introduces over the course of the album.
It wasn't easy to capture that realness. The band wanted to range further, to grow and evolve from the successes of 2014's The Union album. That record was an immediate hit on the Canadian radio rock landscape. Glorious Sons scored seven consecutive Top 10 rock radio tracks, won two SiriusXM Indie Awards (Group of the Year and Rock Group of the Year) and received a Juno Award in 2018 for Rock Album of the Year.
Eighteen months of recording fits and starts led the band to Los Angeles to work with production team Fast Friends (Frederik Thaae, Ryan Spraker, Tom Peyton). It wasn't until they started exploring a collection of old voice memos on Brett's phone that they had their eureka moment. The subsequent creative outburst resulted in an album written in 12 days and recorded in 14.
The Glorious Sons toured worldwide in 2018 and achieved a #1 single on the US Mainstream Rock charts for four consecutive weeks. The week of December 17, 2018 saw their highest stream week since the album's release over 13 months ago, as they got placement in big playlists like Spotify's "Rock This" and "Global Viral 50", and Apple's "The New Rock" playlist in 6 different territories including Canada, US, Australia, New Zealand, UK and Germany.