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An explosive new force in the emo/punk world, JULES IS DEAD gives voice to the kind of feelings and frustrations rarely expressed in lyric form. "The main thing I want to do with my music is to make people feel heard, because for so long I felt like I wasn`t heard," says the 18-year-old singer/songwriter/multi-instrumentalist hailing from the town of Barrie, Ontario. Deeply informed by their perspective as a nonbinary artist of color, the music of JULES IS DEAD ultimately pushes the genre forward while providing a much-needed outlet for the endless turmoil faced by their generation. Signed to Atlantic Records, via a joint venture partnership with TAG Music, JULES IS DEAD has spent the past year working on their debut project—an impossibly catchy batch of songs confronting everything from the paralysis of depression to abuses of power and subordination of women. Much of the work demonstrates Jules` knack for striking that potent balance between personal revelation and impassioned commentary, cathartically delivered through a rollercoaster of tender piano moments that burst into breakneck anthems driven by Jules` blistering guitar work and in-your-face biting vocals.